Label: Fania Records - Fania-23 • Format: Vinyl LP, Album • Country: Mexico • Genre: Latin • Style: Salsa, Afro-Cuban
Jose Marquez. Hammock House: Santiago Sessions. Various Artists. Joaquin "Joe" Claussell. Hammock House - The Eastbound L. Fania All Stars Latin Connection. The Fania All Stars was no exception. At the same time that it was busy preparing the release of the four album recorded for Columbia Records mixing jazz, rock, soul and dance, the Fania All Stars was careful to remember the salsa market, even though the band was unable to repeat the sheer magic of its performances at the Cheetah nightclub.
The Semilla De Amor - Fania All Stars - Latin Connection to 's Commitment, Latin Connection allowed the Fania All Stars to revalidate its position as one of salsa's most powerful combos.
The production, conceptualized by Johnny Pacheco and Jerry Masucci, capitalizes on the presence of some of the band's most respected voices. The arrangements give the musicians an opportunity to showcase their virtuoso chops, with a rhythm section anchored on Eddie Montalvo, Roberto Roena and Nicky Marrero on percussion, joined by Salvador Cuevas on electric bass. Lavoe sings about a happy father celebrating the birth of his first son.
Latin Connection is a strong album. May they rest in peace. Latin Connection es un buen disco. Quick shop. Continue Shopping Continuar la compra. Checkout Echa un vistazo. Music Credits: 1. Tito Star Wars (Main Theme) - The Now Sound Orchestra - Main Title Themes From: The Empire Strikes Back - - Africa Linda feat.
A short biography of Joaquin "Joe" Claussell Joaquin "Joe" Claussell born in Brooklyn, where thanks to the deep musical roots of its diverse and large Puerto Rican family, music was his refuge, family, food, comfort and escape. His first encounter with the world of DJs was in their own neighborhood, at parties and meetings of the association of his block. He started collecting vinyl at the age of 15 years, and his passion for music and dancing took him from Disco Inferno to CBGBs, alternative club Mudd Club, the most famous Underground and the legendary Paradise Garage.
While living in the East Village in the early 90 fell in love with the record store Dance Tracks, which was chill, but in turn was technologically impressive.
He was friends with the owner, beginning with his musical career. Joe became the DJ Store and gave weekly parties that drew a diverse group of devoted music lovers. After the owner's suggestion produced and performed "Over", his first remix, and produced "Awade" his first track, which became an instant classic. Over time he learned about the music business and took over the store.
At the same time he oversaw the creation of Ibadan Records with his friend, executive producer Jerome Sydenham. Seal Productions are fluid - with African rhythms, Brazilian, Latin and Middle Eastern that cross genres of disco, jazz, house and electronic music. It is intimately involved in every aspect of the production process: music, composition, selection or creation of visual art and graphic design.
Under the seals he has promoted and produced novice artists. His first full-length album itself was Language. For six years, lovers of music and dance of the City of New York and around the world came religiously to form part of the unique musical journey through the classic, world, soul, disco, funk genres, and house. The tracks were elevated to an infinitely higher level thanks to the synergy of artistic live performance of each DJ, and the care and creativity of the crowd.
During the last ten years Joe has constantly been Semilla De Amor - Fania All Stars - Latin Connection music all over the world, remixing, producing and diversifying into other genres of art world. New York originated the Sacred Rhythm party, designed to bring together artists house with artists who perform live in an intimate setting.
Soon it will air its first radio show on the Internet, entitled An Invitation to Openness, Bolero - Various - Gypsy Jazz is based on the freedom to play whatever they please at the time, rather than be at the mercy of the musical whims of an audience.
Joe contemplates humanity and trends from a distant prospect but wrapped. Tries to reach spiritual Semilla De Amor - Fania All Stars - Latin Connection creative autonomy in their personal lives, and encourages their loved ones using their unique resources to build a society in which E Izaghi Ed Izanami - Puccini* - Leontyne Price - Richard Tucker - Philip Maero - Rosalind Elias / and individuality are encouraged and praised.
For those looking to make a musical journey with the soul, Joe's shows are a rare and coveted opportunity to do so. He has the ability to connect with people who share your passion for the rhythms of life through a universal language, which keeps them intrigued and tune while listening, dance and share their philosophy.
Each project will communicate Variatio. Presto / (3 Adagio) - Biber* / Muffat* - John Holloway - Der Türken Anmarsch their own language, rhythms and ideas that can only be the product of such a creative mind like yours. And everyone Semilla De Amor - Fania All Stars - Latin Connection be as interesting as to keep those who think they know intrigued and attentive.
Hammock House by Andy Battaglia Joaquin "Joe" Claussell comes from an area of Brooklyn that could be considered that idyllic Brooklyn that is part of the collective imagination. He grew up a few blocks from Fifth Avenue, a busy street that adjoins a cozy neighborhood known as Park Slope. Day and night, virtually unabated, life goes on as it has done for years: the bustle of business is the same as always, cars with loudspeakers exaggerated hear his roar, the elderly walk carefully along the sidewalks, mothers pushing berreantes Strollers their babies, corner delis people who spit drinking grape soda and scrape lottery tickets; robust women out there, guys walking around with impeccable Yankees hats, boys shirts size sails.
Black, brown, white, young, old, straight, gay, lazy, cunning, sneaky There is life everywhere in a manic and peaceful balance. Joe shows us the place where you bought your first album, a small shop which had told us at lunch the day before. We are a group of three who are following Joe for a few days to see where you live and where does what he does. Lunch was at El Viejo Yayo, a Latin restaurant that frequents Joe since he was a child and which still swear is the best of the whole city of New York.
People chatted with cooks at the counter and smiles abounded everywhere. We ordered dishes that were so large they could Glad we fed for days. What was good? Very good: rice and beans was perfect, the baked chicken fell off the bone, and Ill Remember - Rebound - As The World Burns bananas!
The record store was another success, but felt like something from another era, another mentality, and somewhat strange. Several CD a few years ago are in the showcase, faded by sun and covered with dust. The place is a mess and smells basement Grandfather. Not the kind of establishment run by meticulous collectors or those who have learned to move things online.
It's just a big, strange room, and something crazy in Brooklyn, where music has been accumulating for nearly 40 years, and counting. Joe flipping through the merchandise that finger and thumb movement dominated world by DJ scavenging among the drawers.
Do not be surprised at anything before we left, but he looks happy to just be there, looking for something in a place where he could find it. It is at home, in the kind of old record store where the masterpieces of Fania Records initially prospered, where sometimes still hide or hibernate or just hang out, waiting for someone to listen again. To be part of this now, look at the labels of Fania discs spin in front of me I can not believe I had the opportunity to work on this.
It still seems unbelievable. He talks about it with a little astonished tone reserved for a project which had to listen to her past and literally had to hold history in your hands. Have you ever seen an old tape reel of study? Have you raised, you have marveled at your weight, you've looked at the shiny black plastic around its center?
Joe shows us one you have in your office. We have driven over the bridge to Brooklyn to Lower Manhattan, near the area of construction of the World Trade Center, which rents space in Tribeca for Spiritual Life Sacred Rhythm and two record labels who helps run. It is also home to a personal studio where he works and stores preproduction assertion - very convincingly - is a collection of over a million records. But there is something in a battered cardboard box that Semilla De Amor - Fania All Stars - Latin Connection for our inspection.
Inside, a reel of metal surrounded by many feet of magnetic tape and a page to crumble a "Report tracks" day any of the 70 different numbered columns are written in Semilla De Amor - Fania All Stars - Latin Connection "low", "guitar "" saxophone "," trombone ". Scribbled names appear in the top right corner, with cryptic notes that mark other important parts of what appears to be a hot and complicated Latin melody.
This was T.O.K. - Shake Your Body miraculous anduviese still out there, and the history of all these things is wonderful.
When I opened all the multi-tracks, the pleasure of having an entire string orchestra with which those days really could work He's talking about the amount of archive tapes he got, old tapes Fania catalog tracks with individual sections could be isolated and remastered, you reimagined, recombined.
Many sounded perfect as they were. But the mentality of the people during the 60's and 70's in music, they created as artists, soul, heart. They took for granted a lot of the technical part. Made music without thinking about the different mixtures or someone were to touch his work in the future, so I tried to maintain the integrity of what is there.
Or specifically nuyorican - with all the hot and bubbling concoction of identity that occurs when a boy It grows with nine brothers and sisters and a shared battery in the turbulent and working community of Brooklyn.
We are bombarded with music 24 hours a day, seven days a week, all types of music: rock, popular hits, African music. We gave it all at once. And Latin music flew everywhere in the neighborhood, from the basement, through the windows, in parks. My mother put us abreast of all Latin songs.
Each issue was addressed and armed differently, each in its own terms. As Joe says, "Some songs were released, others were elongated Now we are in a recording studio in the Lower East Side of Manhattan. It is dark outside, in a hidden in a rough neighborhood marked by dazzling the ruined Jewish synagogues and trendy boutique bars street.
Joe is here to record with his brother Joseph, a famous percussionist who championed many of the parts of the battery in Hammock House. The session looks like OceanDub - @6ixviet (File) family event, which is apparently the case wherever he goes Joe even if it is alone with three strangers following him wherever he goes.
Both Claussell have headphones on and congas between his knees. Joseph plays a lively syncope, grunting and humming while playing. Joe sways from side to side, lost in the music as it occurs will fall where the new lines of percussion. Both spend much time with his eyes closed under bright studio lights, but they seem to be able to see each other, or at least listen to each other, while their way into a sound that both learned in his youth.
Able to play these old tapes and listen to excerpts in which you hear someone say 'first shot' while consuming cocaine or whatever those people do is a blessing.