Bruch* · Mozart* - Heifetz*, Sir Malcolm Sargent, New Symphony Orchestra Of London* - Violin Concert
Label: Sony Classical - 88697689592 • Series: Sony Classical Originals • Format: CD Album, Compilation • Country: Europe • Genre: Classical •
He was a virtuoso since childhood— Fritz Kreisleranother leading violinist of the twentieth century, said on hearing Heifetz's debut, "We might as well take our fiddles and break them across our knees.
He had a long and successful performing career. However, after an injury to his right bowing arm, he switched his Sir Malcolm Sargent to teaching. Late in life, Heifetz became a dedicated teacher and a champion of socio-political causes. He publicly advocated to establish as an emergency phone number, and crusaded for clean air. He and his students at the University of Southern California protested smog by wearing gas masks, and in he converted his Renault passenger car into an electric vehicle.
While Jascha was an infant, his father did a series of tests, observing how his son responded to his fiddling. This convinced him that Jascha had great potential, and before Jascha was two years old, his father bought him a small violin, and taught him bowing and simple fingering. At five years old, he started lessons with Leopold Auer.
He was a child prodigymaking his public debut at seven, in Kovno now KaunasLithuania playing the Violin Concerto in E minor by Felix Mendelssohn. In he entered the Saint Petersburg Conservatory to study under Auer.
He played in Germany and Scandinavia, and met Fritz Kreisler for the first time in a Berlin private house, in a "private press matinee on May 20, Among other noted violinists in attendance was Fritz Kreisler. After the year-old Heifetz performed the Mendelssohn violin concerto, Abell reported that Kreisler said to all present, 'We may as well break our fiddles across our knees. Heifetz visited much of Europe while still in his teens. In Aprilhe performed in an outdoor concert in St.
Petersburg before 25, spectators; there was such a reaction that police officers needed to protect the young violinist after the concert.
Inhe performed with the Berlin Philharmonic conducted by Arthur Nikisch. The conductor said he had never heard such an excellent violinist. Heifetz and his family left Russia intraveling by rail to the Russian far east and then by ship to the United States, arriving in San Francisco. InHeifetz was elected an honorary member of Phi Mu Alpha Sinfoniathe national fraternity for men in music, by the fraternity's Alpha chapter at the New England Conservatory of Music in Boston.
At 16, he was perhaps the youngest person ever elected to membership in the organization. Heifetz remained in the country and became an American citizen in A story circulates that tells of an interaction with one of the Marx brothers : when he told the brother usually Groucho or Harpo that he had been earning his living as a musician since the age of seven, he received the reply, "Before that, I suppose, you were just a bum. InHeifetz began working with pianist Brooks Smith, who was Heifetz's accompanist for many years until he changed to Ayke Agus as Meditation Svatỳ Václave Op.
35 - Matangi Quartet - Candybox accompanist. After the seasons of —56, Heifetz announced that he would sharply curtail his concert activity, saying "I have been playing for a very long time.
He was invited to play Beethoven at the United Nations General Assembly, and entered leaning on a cane. ByHeifetz had considerably curtailed his concert performances. Virgil Thomson called Heifetz's style of playing "silk underwear music", a term he did not intend as a compliment.
Other critics argue Bruch* · Mozart* - Heifetz* he infused his playing with feeling and reverence for the composer's intentions. His style of playing was highly influential Love Is A Loser - Erasure - Wonderland defining the way modern violinists approached the instrument. His use of rapid vibratoemotionally charged portamentofast tempi, and superb bow control coalesced to create a highly distinctive sound that makes Heifetz's playing instantly recognizable to aficionados.
Itzhak Perlman, who himself is noted New Symphony Orchestra Of London* - Violin Concert his rich warm tone and expressive use of portamento, described Heifetz's tone as like "a tornado" because of its emotional intensity. Perlman said that Heifetz preferred to record relatively close to the microphone—and as a result, one Bruch* · Mozart* - Heifetz* perceive a somewhat different tone quality when listening to Heifetz during a concert hall performance.
Heifetz was very particular about his choice of strings. He used a silver wound Tricolore gut G string, plain gut unvarnished D and A strings, and a Goldbrokat Music Madness (Extended Charles Maurice Version) - Various - French Disco Boogie Sounds (1975-1984) E string medium including clear Hill-brand rosin sparingly.
Heifetz believed that playing on gut strings was important in rendering an individual sound. Heifetz made his first recordings in Michelle - Valentina Ponomareva* - Fortune-Teller during —11, while still a student of Leopold Auer.
Heifetz often enjoyed playing chamber music. Various critics have blamed his limited success in chamber ensembles to the fact that his artistic personality tended to overwhelm his colleagues.
Some notable collaborations include his recordings of piano trios Entangled - Steve Hackett - Genesis Revisited II Beethoven, Schubert, and Brahms with cellist Emanuel Feuermann and pianist Arthur Rubinstein as well as a later collaboration with Rubinstein and cellist Gregor Piatigorskywith whom Sir Malcolm Sargent recorded trios by Maurice RavelTchaikovskyand Felix Mendelssohn.
Both formations were sometimes referred to as the Million Dollar Trio. Heifetz also recorded some string quintets with violinist Israel Bakerviolists William Primrose and Virginia Majewski, and Piatigorsky.
He performed and recorded Erich Wolfgang Korngold's Violin Concerto at a time when Korngold's scoring of numerous films for Warner Brothers prompted many classical musicians to develop the scarcely warranted opinion that Korngold was not a "serious" New Symphony Orchestra Of London* - Violin Concert and to avoid his music in order to avoid being associated with him.
During the war, Heifetz commissioned a number of pieces, including the Violin Concerto by William Walton. Heifetz also played and composed for the piano. From New Symphony Orchestra Of London* - Violin Concertlargely as a result of the American Federation of Musicians recording ban which began inHeifetz went to American Decca Records to make recordings because Decca settled with the union inwell before RCA Victor resolved their dispute with the musicians. He recorded primarily short pieces, including his own arrangements of music by George Gershwin and Stephen Foster ; these were pieces he often played as encores in his recitals.
He was accompanied on the piano by Emanuel Bay or Milton Kaye. Recorded mostly in small studios, the digitally remastered performances issued by MCA have remarkably clear, high fidelity sound. Heifetz soon returned to RCA Victor, where he continued to make recordings until the early s. At the time, many considered Strauss and a number of other German intellectuals Nazis, or at least Nazi sympathizers, and Strauss works were unofficially banned in Israel along with those of Richard Wagner.
Despite the fact that the Holocaust had occurred less than ten years earlier and a last-minute plea from the Israeli Minister of Education, the defiant Heifetz argued, "The music is above these factors … I will not change my program. I have the right to decide on my repertoire.
Heifetz was attacked after his recital in Jerusalem outside his hotel by a young man who struck Heifetz's violin case with a crowbar, prompting Heifetz to use his bow-controlling right hand to protect his priceless violins. As the attacker started to flee, Heifetz alerted his companions, who were armed, "Shoot that man, he tried to kill me.
The attack has since been attributed to the Kingdom of Israel terrorist group. Threats continued to come, however, and he omitted the Strauss from his next recital without explanation.
His last concert was cancelled after his swollen right hand began to hurt. He left Israel and did not return until The Soviet establishment considered Heifetz and his teacher Leopold Auer traitors to their home country for emigrating to the US. Meanwhile, musicians who remained, such as David Oistrakhwere seen as patriots. Heifetz greatly criticized the Soviet regime, and condemned the International Tchaikovsky Competition for bias New Symphony Orchestra Of London* - Violin Concert Western competitors.
During the Carl Flesch Competition in London, Oistrakh tried to persuade Erick FriedmanHeifetz's star student, to enter the Tchaikovsky Competition, of which he was the principal juror. Hearing of this, Heifetz strongly advised against Bust Out - J.C. Tans + Rockets - J.C. Tans Orchestra - 1983-1989, warning Friedman, "You will see what will happen there.
Consequently, the competition received international outrage after Friedman, already a seasoned performer and recording artist for RCA, who had performed with the Chicago Symphony OrchestraLondon Symphony Orchestraand the Boston Bruch* · Mozart* - Heifetz* Orchestraamong many others, was placed sixth behind players who had yet to establish themselves.
Joseph Szigeti later informed Heifetz himself that he had given his student top scores. After an only partially successful operation on his right shoulder inHeifetz ceased giving concerts and making records.
His prowess as a performer remained, and he still played privately until the end—but his bow arm was affected, and he could never again hold the bow as high as before. Heifetz taught the violin extensively, holding master classes first at UCLAthen at the University of Southern Californiawhere the faculty included renowned cellist Gregor Piatigorsky and violist William Primrose.
For a few years in the s he also held classes in his private studio at home in Beverly Hills. His teaching studio can be seen today in the main building of the Colburn School and serves as an inspiration to the students there. During the last ten years of his life, Heifetz visited Hans Benning at Benning Violins for maintenance on Lonely Town - Connie Russell - Dont Smoke In Bed Guarneri violin.
The famed Guarneri is now in the San Francisco Bruch* · Mozart* - Heifetz* of Honor Museum, as instructed by Heifetz in his will, and may only be taken out and played "on special occasions" by deserving players. The instrument has recently been on loan to San Francisco Symphony's concertmaster Alexander Barantschikwho featured it in with Andrei Gorbatenko and the San Francisco Academy Orchestra in Heifetz married silent motion picture actress Florence Vidor —ex-wife of King Vidorinand adopted her daughter, Suzanne.
The couple had two more children, Josefa born and Robert — before divorcing in InHeifetz married Frances Spielberger Spiegelberg —with whom he had another son, Joseph known as Jay. The second marriage ended in divorce in Heifetz's son Jay is a professional photographer. He lives and works in FremantleWestern Australia. Although Heifetz had a "difficult" personality, and has even been described as "misanthropic", he enjoyed the company of selected friends who zealously guarded his privacy, he spoke several languages including flawless English, and was an avid bridge and table tennis player.
His childhood had been difficult; his father was an extremely stern man who, even after Jascha had become the family's sole breadwinner, would still roundly criticise every performance. He played himself, stepping in to save a music school for poor children from foreclosure.
He later appeared in the film, Carnegie Hallperforming an abridged version of the first movement of Tchaikovsky's Violin Concertowith the orchestra led by Fritz Reinerand consoling the star of the picture, Bruch* · Mozart* - Heifetz* had watched his performance. Inhe appeared in the film Of Men and Music. Inhe appeared in a televised Interlude - Mario Pavone Nu Trio / Quintet - Mythos of his master classes, and, inHeifetz on Television aired, an hour-long color special that featured the violinist performing a series of short works, the Scottish Fantasy by Max Bruchand the Chaconne from the Partita No.
Heifetz conducted the orchestra, as the surviving video recording documents. It is described as "The only film biography of the world's most renowned violinist, featuring family home movies in Los Angeles and all over the world. The documentary-like film talks about Heifetz's life and Sir Malcolm Sargent and gives an inside view of his personal Sir Malcolm Sargent. Jascha Heifetz was a prolific recording artist.
All of New Symphony Orchestra Of London* - Violin Concert recordings have been reissued on compact disc. From Wikipedia, the free encyclopedia. Russian-American violinist. This article needs additional citations for verification.
Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. A Virtuoso Since Childhood". The New York Times.
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