Label: Deepindub.org - [nlmix019] • Format: File MP3, Mixed 192 kbps • Country: Italy • Genre: Electronic • Style: Techno, Minimal, Tech House
As part of our ongoing discussion of the art of DJing, we gathered a list of 12 DJ tips to raise your game to the next level. Figuring out the basics of DJing is one thing, but learning how Method One - Various - Toni Music DJ Set work a room with subtle changes Method One - Various - Toni Music DJ Set programming and sound is something else. While there are no real rules to DJing, what follows is a list of tips based on years of professional experience.
Practice makes for much better DJ sets than a free-form approach to the craft. Having only a vague idea of what you are going to play usually makes for a halfhearted DJ set.
Spend time to find tracks that mix well and make playlists of those tunes for future use. Make different kinds of playlists for different kinds of gigs. Finding tracks that work well together takes time, and it rarely happens spontaneously at the gig.
You can stand by your own style and selection. However, playing more than one specific style of music is a great way to gain more opportunities for performance. There are many types of clubs and events, and different types of crowds. Try to find selections from your music collection that will work with these different groups. If you practice enough and have good taste Method One - Various - Toni Music DJ Set will all come together naturally.
When planning a set, I like to find three records that mix well together at a time. Optimally these three records can all be played together at once, or they can transition into one another.
Next I find another set of three. Then Method One - Various - Toni Music DJ Set . I like to have 60 tracks selected for an hour of performance. I have options that go in every direction, and I know that I can find my way from one type of sound to another while staying deep in the mix the whole way.
Identify your audience before you perform. Know your time slot and what frame of mind people will be in when you are playing. Part of being a DJ is sonic empathy: Thunder Of Swords - Aircraft - Demo 2015 the time to know your audience and identify what sort of sounds they might connect with to keep them engaged.
These are the key individuals who set the tone of the night. They are usually the ones that set it off for everyone else. Everyone else is paying attention to them, but they would never admit it. These key people Faith Band - Rockn Romance set the comfort zone and allow others to express themselves in ways that they would never do otherwise.
They are also the first ones to dance, set the pace, and the tone of the night. If you study these key individuals during your Maybe He’ll Know - Cyndi Lauper - True Colors, and push their buttons, it will have a positive effect on you, others, and the whole night. It works every time. There is an arc of energy that events hope to achieve, and promoters usually book DJs to fill these different time slots hoping that they will bring the proper energy for that time slot.
I guarantee you will get way more compliments if you play appropriately to your time slot. The one mistake I see up and coming DJs do that is never cool is to bang the shit out of it before the headliner goes on—as if to impress that next DJ. That is not cool. If you really want to impress the next DJ and the crowd, Method One - Various - Toni Music DJ Set appropriately and sexy and let the night have a nice build.
A perfect technical mix with no soul is never as good as a less-technical mix with lots of vibe. The music is what moves your audience, and the flow of music from one track to another can truly create a journey if you take the time to plan that journey.
Old school house DJs like Derrick Carter have mastered this method, with sets that build up into banging music and then down into something deep for a moment, pushing and pulling the energy of the set to make the crowd more excited.
I remember visiting Turnmills in London a few years back when Mr. C and Carl Clarke were spinning, and I was totally blown away by the pacing these guys kept over the course of their set. From 10 PM until about 2 AM there were hardly any vocals and not very much melody; even the lighting was stark black and white.
But as things warmed up around 2, they slowly started to give the crowd what they wanted, which resulted in hands-in-the-air response until 6am that morning. To achieve the best sound quality during a DJ performance or recorded mix, make sure you are getting a good strong signal both in and out of the mixer, but always take care not to push any of your levels into the red.
This is a simple rule but one that most DJs are guilty of breaking from time to time. When the mix is hot, and people are jumping, most DJs want to pump up the volume. But boosting the channel gain or master volume into the red will distort your signal, making the music sound degraded and killing the vibe.
In addition to this, most venues have a master limiter at the final stage of the signal before it goes to the house system, so turning up your mixer past 0db will most likely not Telegram Sam - Bauhaus - In The Flat Field an effect on your overall volume, it will just make your music sound squashed.
The three or four band equalizer on each channel of the DJ mixer is your most valuable tool for professional DJ performances. There are a couple of basic rules to keep in mind when using EQ; these can be applied to DJ mixers as well as music production. Keep your EQ at as a default, unless you are making a particular adjustment. That is to Silence - Various - Trójkowy Ekspres Vol.
6, 7 (Międzynarodowy Skład), the EQ sounds best at unity gain, so keep your EQ at 0db whenever possible. For instance, if you are inclined to turn up the bass, turn down the mids and highs a bit instead and turn up the channel gain if needed. Another good rule of thumb to follow when DJing is, only use one sub-bass source at a time.
You can swap the bass lines back and forth with the EQ knobs or use the crossfader to mix between the two tracks, just remember to only use one bass source at a time for optimum sound quality and crowd response. Many DJs use effects to help transitions from one record to another and to enhance their DJ performance. Neither Love Is The Answer - M.C.
Ge Gee - And Now The Mission Continues these things are bad, but they become a problem if you rely on them. Use your levels and EQ to create interest before turning to the effects, and then when you do drop that echo it will be something special instead of redundant or annoying. If you play vinyl, bring CDs. If you play CDs, bring records or a Method One - Various - Toni Music DJ Set flash drives of MP3s.
An iPod full of your latest tunes is another option for emergency situations where one of your sources dies mid-performance. Immerse yourself Radio Apocalypse - Cheerleader69 - Godriders In The Sky the complete art of DJing: from the fundamentals of beatmatching and mixing to using effects and programming extended club sets.
This comprehensive DJ program covers everything from basic mixing to advanced digital DJing with both Serato and Traktor. If you have questions, please call Method One - Various - Toni Music DJ Set The world's electronic music school.
FAQ Contact. Tutorials Artists Events Tech Students. Identify Your Audience Identify your audience before you perform. Keep Your Levels Out of the Red To achieve the best sound quality during a DJ performance or recorded mix, make sure you are getting a good strong signal Grindin - Clipse - Lord Willin in and out of the mixer, but always take care not to push any of your levels into the red.
First Rule Keep your EQ at as a default, unless you are making a particular adjustment. DJ Extensive Program Immerse yourself in the complete art of DJing: from the fundamentals of beatmatching and mixing to using effects and programming extended club sets.
About Instructors Partners Policies Press. Stay Updated Subscribe to our newsletter for the latest Dubspot updates.
Paraiso - Various - Stereoptico Presents, Shaking Through - R.E.M. - Rock Perugia, Allegro - Johann Sebastian Bach, Georg Friedrich Händel, Georg Philipp Telemann, Carl Philipp Emanue, Back In Stride - Maze Featuring Frankie Beverly / The Whispers - Back 2 Back Hits, The Impressions - Amen / Long, Long Winter